{"id":210,"date":"2018-04-05T23:24:24","date_gmt":"2018-04-05T23:24:24","guid":{"rendered":"https:\/\/globalzrecording.org\/microphonedatabase\/?p=210"},"modified":"2018-04-30T12:34:55","modified_gmt":"2018-04-30T12:34:55","slug":"cad-equitek-e-200","status":"publish","type":"post","link":"https:\/\/globalzrecording.org\/microphonedatabase\/2018\/04\/05\/cad-equitek-e-200\/","title":{"rendered":"CAD Equitek E-200"},"content":{"rendered":"<p><strong>Units:<\/strong>\u00a01<\/p>\n<p><strong>Brand:<\/strong>\u00a0CAD Audio<\/p>\n<p><strong>Type:\u00a0<span style=\"font-weight: 400;\">Multi-Pattern Condensor<\/span><\/strong><\/p>\n<p><strong>Serial Number:<\/strong>\u00a012316<\/p>\n<p><strong>Application:\u00a0<\/strong><\/p>\n<p><span style=\"font-weight: 400;\"><strong>Overview:<\/strong> The Equitek E200 from Conneaut Audio Devices is a multi-pattern side address microphone designed for recording, <\/span><span style=\"font-weight: 400;\">broadcast, and sound reinforcement. The E200 provides a remarkably high level of <\/span><span style=\"font-weight: 400;\">performance with a profound blend of transparency, ballistic integrity, natural openness, and detailed imaging. <\/span><span style=\"font-weight: 400;\">It has become a popular <\/span><span style=\"font-weight: 400;\">choice for overhead and room miking applications. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The E200 features high-speed OpAmps for optimum performance and very high gain. Active servo headamp circuitry <\/span><span style=\"font-weight: 400;\">is used in place of interstage capacitors in order to extend low-end response. It also provides less <\/span><span style=\"font-weight: 400;\">colorization of the audio signal due to the reduction of phase anomalies and of bandwidth limiting, often <\/span><span style=\"font-weight: 400;\">associated with capacitors.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In addition to advanced electronics, the E200 contains twin single diaphragm capsules mounted within CAD&#8217;s <\/span><span style=\"font-weight: 400;\">proprietary dual H-frame internal shock mount to provide extraordinary versatility, reproducing an endless <\/span><span style=\"font-weight: 400;\">variety of signal sources with remarkable transparency and precision. The 3 patterns <\/span><span style=\"font-weight: 400;\">provide both live and studio application capabilities, from the subtleties of string instruments <\/span><span style=\"font-weight: 400;\">to the highly ballistic environment of live percussion.<\/span><\/p>\n<p><strong>More info:\u00a0<\/strong><a href=\"http:\/\/cadaudio.com\/products\/equitek\/e300s\">http:\/\/cadaudio.com\/products\/equitek\/e300s<\/a><\/p>\n<p><strong>Dynamic Range:<\/strong><\/p>\n<p><strong>Self-Noise:\u00a0<\/strong><\/p>\n<p><strong>Proximity Effect:\u00a0<\/strong><\/p>\n<p><strong>Set-up\u00a0\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>AUDIO RECORDINGS<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Units:\u00a01 Brand:\u00a0CAD Audio Type:\u00a0Multi-Pattern Condensor Serial Number:\u00a012316 Application:\u00a0 Overview: The Equitek E200 from Conneaut Audio Devices is a multi-pattern side<\/p>\n","protected":false},"author":8,"featured_media":52,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53,58,12,46,15,17],"tags":[],"class_list":["post-210","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-brand","category-cad-audio","category-drum-overheads","category-multi-pattern-condenser","category-room-mic","category-vocals"],"_links":{"self":[{"href":"https:\/\/globalzrecording.org\/microphonedatabase\/wp-json\/wp\/v2\/posts\/210","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/globalzrecording.org\/microphonedatabase\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/globalzrecording.org\/microphonedatabase\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/globalzrecording.org\/microphonedatabase\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/globalzrecording.org\/microphonedatabase\/wp-json\/wp\/v2\/comments?post=210"}],"version-history":[{"count":8,"href":"https:\/\/globalzrecording.org\/microphonedatabase\/wp-json\/wp\/v2\/posts\/210\/revisions"}],"predecessor-version":[{"id":607,"href":"https:\/\/globalzrecording.org\/microphonedatabase\/wp-json\/wp\/v2\/posts\/210\/revisions\/607"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/globalzrecording.org\/microphonedatabase\/wp-json\/wp\/v2\/media\/52"}],"wp:attachment":[{"href":"https:\/\/globalzrecording.org\/microphonedatabase\/wp-json\/wp\/v2\/media?parent=210"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/globalzrecording.org\/microphonedatabase\/wp-json\/wp\/v2\/categories?post=210"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/globalzrecording.org\/microphonedatabase\/wp-json\/wp\/v2\/tags?post=210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}